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              <name>Title</name>
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                  <text>WWII Monuments in Epirus, Greece</text>
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                  <text>These images and text document the many and varied World War II monuments scattered across the rugged landscape of Epirus, in northwestern Greece. They also provide evidence for the strong culture of ongoing World War II commemoration in the region. What the monuments commemorate ranges from the Hellenic Army's victory over Mussolini's forces in 1940 through the role of Greek women in the war, to the victims of Nazi atrocities, and even a Communist dominated resistance organization. The collection is part of a larger project that includes scholarship on some of the memorials, and interactive mapping of all of them which will enable users to geographically locate each one, learn its historical context, and contribute to discussion about it. &lt;a href="https://digitalexhibits.hollins.edu/neatline/show/warmonumentsgreece"&gt;View the interactive map&lt;/a&gt;</text>
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                  <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: http://presslib.hollins.edu/. </text>
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                  <text>Epirus, Greece</text>
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              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Christopher J. Richter, Christina Salowey</text>
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                <text>Lazaros Lamera (sculptor) ; Donations from the officers and enlisted men of the armed forces (sponsor)</text>
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                <text>Kalpáki, Ioánnina, Epirus, Greece</text>
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                <text>Epirus, Greece</text>
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                <text>Twentieth Century</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: askref@hollins.edu. </text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>war memorials; monumental sculpture; ossuaries (buildings)</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Date</name>
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                <text>October 28, 1940 (Date of Event) ; September 1966 (Date of Construction)</text>
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            <description>A name given to the resource</description>
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                <text>The warrior monument is erected on a hill outside the village of Kalpaki at the intersection of the major roughly N-S route from Ioaninna to Kozani (and the Albanian border just beyond) and a smaller road that is the northern route into the tortuous mountain byways that partially ring the Vikos gorge and lead to the northern Zagorian villages of Aristi, the Papingos and the eponymous Vikos. The monument is accessible both by car on a macadam road, and on a well-maintained stone walkway that processes up from the back streets of the village. A massive (roughly 5.5 meters) bronze statue of a helmeted, caped, and armed man stands on a high (~ 1.5 meters), irregularly shaped pedestal that also serves as an ossuary. The statue and base are situated in the middle of a large plaza with a decorative pavement composed of slate stones bordered by a marble edging that forms both regularly geometric panels and shard-like projections through the design. The composition accommodates distant viewing and a close-up experience with room for a large crowd. The bronze statue faces NW, looking out towards the Albanian border, and faces a hillside in the distance with the word OXI marked out in white stones. His military accoutrement includes boots, rifle with bayonet, and helmet. His bulk is accentuated by the large sweeping poncho that encloses him and obscures the outline of the human body. His attire is easily identified as the characteristic thick hide and wool shepherd’s cloak, kopanos in Greek or sheath.</text>
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                <text>ΣΗΜΑΤΡΟ ΔΟΞΑΣ ΣΚΟΥΡΙΑΣΜΕΝΟ ΑΠ' ΤΟΝ ΚΑΙΡΟ\ ΧΤΥΠΗΣΕΣ ΜΕ ΤΟ ΧΕΡΙ ΤΗΝ ΑΣΠΙΔΑ\ ΚΙ ΑΝΑΨΕΣ ΤΗΝ ΣΒΥΣΜΕΝΗ ΦΛΟΓΑ ΣΤΟ ΙΕΡΟ\ ΤΙΝΑΧΤΗΚΕ ΑΠ' ΤΟ ΚΑΛΕΣΜΑ ΣΟΥ ΤΟ ΦΤΕΡΟ\ ΤΗΣ ΝΙΚΗΣ ΓΥΜΝΗ  ΠΡΟΒΑΛΕ Η ΛΕΠΙΔΑ\ ΣΠΑΘΙΩΝ ΚΙ ΑΚΟΥΣΤΗΚΕ ΑΠΟ ΝΕΩΝ ΗΡΩΩΝ ΧΟΡΟ \ ΤΩΝ ΠΕΡΣΟΜΑΧΩΝ Ο ΥΜΝΟΣ Ω ΠΑΤΡΙΔΑ.\ Γ. ΔΡΟΣΙΝΗΣ ; the bell of fame rusty from weather you struck with your hand the shield and you lit the snuffed out flame in the sanctuary the wing of victory was shaken by your invitation naked appeared the blade of swords and a hymn of fighters was heard from a land of new heroes – O Country! G. Drosinis; ΨΑΛΜΟΥΣ ΓΙΑ ΣΑΣ ΠΟΙΟΣ ΝΟΙΩΘΕΙ ΤΕΤΟΙΑ ΔΥΝΑΜΗ\ΤΕΤΟΙΑ ΦΤΕΡΑ ΠΟΙΟΣ ΚΕΡΙΝΑ ΦΟΡΕΙ ΤΟΥ ΙΚΑΡΟΥ\ ΚΑΙ ΠΟΙΑ ΘΑ ΠΗ ΤΑ ΚΛΕΑ ΣΑΣ ΛΥΡΑ ΑΙΣΧΥΛΙΑ\ ΤΑ ΠΡΟΠΑΙΑ ΠΟΙΟΣ ΟΜΗΡΟΣ ΚΑΙ ΦΟΡΜΙΓΓΑ ΠΙΝΔΑΡΟΥ ; Psalms for you who feels such power, who carries the waxen wings of Ikaros, and what Aeschylean lyra will speak your famous deeds, What Homer and what phorminx of Pindar your trophies.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>bronze (metal); stone (rock)</text>
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                <text>casts (sculpture); stone-built</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Greek in the Wild: Inscriptions Explained</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="524">
                  <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact the library.</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Ancient Greece</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Archaic, Classical, and Hellenistic works of art in this collection were all displayed with an accompanying inscription in ancient Greek. The interaction between the visual image and inscribed text can illuminate the function, meaning, and impact of the artistic object. The inscriptions are epitaphs, dedications, signatures, historical records, and literary records that contextualize the artistic production of ancient Greece in a variety of ways. &lt;a href="http://digitalexhibits.hollins.edu/exhibits/show/greekinthewild/introduction"&gt;View the interactive exhibit&lt;/a&gt;.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Pria Jackson, Amanda McVey, Amelia Verkerk, Tina Salowey</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Demetrias, Magnisía, Thessaly, Greece (discovery)</text>
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                <text>Volos</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>A.S. Arvanitopoulos, Θεσσαλικὰ Μνημεῖα. Ἀθανασάκειον Μουσείον ἐν Βολῷ Ι. (Athens 1909) 122-127.; A.S. Arvanitopoulos, Graptai Stelai Demetriados-Pagason (Athens 1928). 143 – 46; fig. 166 – 169; Plate 1.; Ch. Charitonides, Mnemosyne 1919, 116.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Greece, Ancient</text>
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                <text>Funerary art</text>
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                <text>Hellenistic</text>
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            <description>A language of the resource</description>
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                <text>Ancient Greek</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>object (utilitarian)</text>
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              <elementText elementTextId="952">
                <text>tombstones (sepulchral monuments)</text>
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                <text>stelae</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>stratonikos 1</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="794">
                <text>250-225 BCE (creation)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Stratonikos, son of Stratos</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Tina Salowey</text>
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            <description>An account of the resource</description>
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                <text>After her Supreme Court victory, Hopkins was awarded a partnership by a lower court. A variety of publications covered the news, some commenting on how challenging it would be to return to an organization that she took to court.</text>
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                  <text>These images and text document the many and varied World War II monuments scattered across the rugged landscape of Epirus, in northwestern Greece. They also provide evidence for the strong culture of ongoing World War II commemoration in the region. What the monuments commemorate ranges from the Hellenic Army's victory over Mussolini's forces in 1940 through the role of Greek women in the war, to the victims of Nazi atrocities, and even a Communist dominated resistance organization. The collection is part of a larger project that includes scholarship on some of the memorials, and interactive mapping of all of them which will enable users to geographically locate each one, learn its historical context, and contribute to discussion about it. &lt;a href="https://digitalexhibits.hollins.edu/neatline/show/warmonumentsgreece"&gt;View the interactive map&lt;/a&gt;</text>
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                  <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: http://presslib.hollins.edu/. </text>
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                <text>unknown (sculptor) ; unknown (sponsor)</text>
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                <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: askref@hollins.edu.</text>
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                <text>November 14, 1940 (Date of Event) ; June 2008 (Date of Construction)</text>
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                <text>This enclosed cemetery is approached by a staircase and pavement, which is the approach to 43 adjacent tombs. The pavement has a mosaic of the word ΟΧΙ, "no" arranged in the middle of it. Each tomb has a cross laid on it and is marked by a second cross that either has the name of the deceased or the word, ΑΓΝΩΣΤΟΣ, "unknown" on it. All 43 names of the deceased, 18 of which are Etoloakarnanians, or regional dwellers, are inscribed on three plaques behind the row of tombs, but presumably not every name could be matched to a set of bones. The three plaques bearing the names of the deceased front a base on which is a monument cross. At the base of this cross there is a plaque commemorating the battle and its date. There are decaying memorial wreaths at the base of the cross and votive candle, which are still lit. A Greek flag stands to the left of the cross. The entire cemetery is enclosed by a low stone-built wall and a wrought iron fence with small cross painted white at the top of each palisade. There is a large parking lot and a magnificent view of the Pindus mountains at the spot.</text>
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