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                  <text>These images and text document the many and varied World War II monuments scattered across the rugged landscape of Epirus, in northwestern Greece. They also provide evidence for the strong culture of ongoing World War II commemoration in the region. What the monuments commemorate ranges from the Hellenic Army's victory over Mussolini's forces in 1940 through the role of Greek women in the war, to the victims of Nazi atrocities, and even a Communist dominated resistance organization. The collection is part of a larger project that includes scholarship on some of the memorials, and interactive mapping of all of them which will enable users to geographically locate each one, learn its historical context, and contribute to discussion about it. &lt;a href="https://digitalexhibits.hollins.edu/neatline/show/warmonumentsgreece"&gt;View the interactive map&lt;/a&gt;</text>
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                  <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: http://presslib.hollins.edu/. </text>
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                <text>After the first switchback on the road into the Zagoria passing the village of Asprangeli, stands the monumental bronze of the Women of Pindus, commemorating the contributions of the women in the Zagoria villages to the war effort. The bronze figure, approximately 30 feet in height, depicts a women in traditional village clothing, carrying a feta cheese can, as a backpack, on her back and a small bag in her right hand. The statue crowns a tumulus with an empty chamber below. Stone built ramps lead to the top. The tumulus itself is on the top of the ridge and a gravel path winds to a parking lot just below the tumulus. A carved marble plaque is inscribed with a decree of the descendants of the Panoraveniotes (regional inhabitants) who were aided in the time of war. This monumental bronze stands at the other end of the ridge that runs to Kalpaki and the mound with the Soldier of 1940 on it. As such the two bronzes guard the pass into the mountainous region of the Zagoria.</text>
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                <text>ΨΗΦΙΣΜΑ\ ΕΜΕΙΣ ΟΙ ΑΠΟΓΟΝΟΙ ΚΕΙΝΩΝ ΤΩΝ\ΠΑΝΩΡΑΒΕΝΙΩΤΩΝ ΠΟΥ ΤΗ ΝΥΧΤΑ\ ΤΗΣ 28 ΟΚΤΩΒΡΙΟΥ ΤΟΥ 1940 ΚΑΤΑΦΥΓΑΝ\ ΣΤΟ ΖΑΓΟΡΙ ΓΙΑ ΝΑ ΓΛΥΤΩΣΟΥΝ\ ΑΠΟ ΤΑ ΧΕΡΙΑ ΤΟΥ ΕΙΣΒΟΛΕΑ\ ΕΚΦΡΑΖΟΥΜΕ ΤΙΣ ΑΠΕΙΡΕΣ ΕΥΧΑΡΙΣΤΙΕ ΜΑΣ ΠΡΟΣ ΤΟΥΣ ΖΑΓΟΡΙΣΙΟΥΣ\ ΣΥΜΠΑΤΡΙΩΤΕΣ ΜΑΣ ΓΙΑ ΤΗ ΦΙΛΟΞΕΝΙΑ\ ΚΑΙ ΤΗΝ ΠΕΡΙΘΑΛΨΗ ΠΟΥ ΠΑΡΕΙΧΑΝ\ ΠΡΟΣ ΤΟΥΣ ΠΡΟΓΟΝΟΥΣ ΜΑΣ\ ΚΑΛΠΑΚΙ 12-8-2011\ΟΙ ΠΑΝΩΡΑΒΕΝΙΩΤΕΣ ; Resolution. We, the descendants of those [panoraveniotes] who on the night of October 28, 1940 took refuge in the Zagori in order to escape from the hands of the invaders, we express our endless thanks to the people of the Zagoria, our compatriots, for their philoxenia and the medical care they furnished for our ancestors. Kalpaki, August 12, 2011, by the Panoraveniotes (dwellers in this region of Epirus).</text>
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                <text>G. Kalakallas (sculptor) ; unknown (sponsor)</text>
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                <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: askref@hollins.edu.</text>
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Asprangelli</text>
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                  <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: http://presslib.hollins.edu/. </text>
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                <text>The Konitsa branch of the Π Ε Α Ε Α;   brotherhoods, associations, and residents of the region. sponsor</text>
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                <text>Skopiá (inhabited place)</text>
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                <text> Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact:askref@hollins.edu.</text>
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                <text>A truncated triangular concrete monument topped by a bronze statue of two falling bombs, and faced with a bronze relief and marble inscription. The bronze relief depicts a bearded man, armed with a pistol, rifle and bandolier of bullets. The man wears a beret and strides broadly to the left in left profile. The marble inscription specifies the battle, lists the deceased, some of whom are also mentioned on the Ano Ravenia fallen monument, and credits the sponsors of the monument. The monument is set on a pavement with the names of three regions set into it with bronze lettering: Konitas, Pogoni, Zagori. The whole monument is fenced with cast iron fencing and 4 cedars grow in or near the enclosure. The monument is easily visible from the road.</text>
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                <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: askref@hollins.edu.</text>
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                <text>A marble-faced stele, set on a two step base carries the names of 29 individuals lost because of wars between 1940 - 1949. No ages or birthplaces are given, but presumably all are from the village of Ano Ravenia where the monument is located. The monument is set in a grove with a cedar tree, approached by stairs from the main road and surrounded with a wrought iron fence.</text>
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                <text>ΤΑΚΤΙΚΟΝ ΣΤΡΑΤΗΓΕΙΟΝ ΔΙΟΚΗΤΟΥ VIII ΜΕΡΑΡΧΙΑΣ ΥΠΟΣΤΡΑΤΗΓΟΥ ΧΑΡ. ΚΑΤΣΙΜΗΤΡΟΥ ΚΑΤΑ ΤΟΝ ΕΛΛΗΝΟΙΤΑΛΙΚΟΝ ΠΟΛΕΜΟΝ 1940-1941. ; Tactical army headquarters of the 8th division under Lieutenant Charambalos Katsimitros during the Greco-Italic War 1940-41.; Απόσπασμα διαταγής VIII Μεραρχίας της 30-10-1940\ Λήξαντος του προκαλύπτικου αγώνος\ από σήμερον η μεραρχία κατέχει την\ τοποθεσίαν αγολων (?) των δυνάμεων της\ επι της τοποθεσίας ταυτης θα δόθηο\ αποφασιστικός αγών προς τον εχθρόν\ ο αγων θα διεξάχθη μετά πείσματος\ και επιμονής ακατάβλητου\ άμυνα κρατερα επι των θέσεων μας&#13;
μέχρις ισχατων\ ουδεμία ιδέα είσαι ουδένα να υπαρχη\ περί υποχωρήσεως πάντες από του\ στρατηγού διοικητου μεραρχίας μέχρι\ και του τελευταίου στρατιώτου θα άγω-\νισθομεν επι των θέσεων μας και εν\ ανάγκη θα πεσωμεν όλοι υπερασπίζο- μένοι αυτας.\ ΧΑΡΑΛ. ΚΑΤΣΙΜΗΤΡΟΣ\Υποστράτηγος ; [no translation available]</text>
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                <text>December 5, 1944 (Date of Event) ; unknown (Date of Construction)</text>
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                <text>This bust statue stands in the side yard of the Kalpaki War Museum. The cast bronze bust of Colonel Fritzis stands atop a marble pillar inscribed with his name, the date of his death, and the donation of the statue by the War Museum.</text>
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                <text>Kónitsa, Ioánnina, Epirus, Greece</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="366">
                <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: askref@hollins.edu.</text>
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                <text>1940-1941, 1946-1949 (Date of Event) ; unkonwn (date of construction)</text>
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                <text>An expansive plaza in the woods with a paved area and a stone built memorial with a cross acting as an altar for the fallen. The mausoleum commemorates both the ItaloElleniko War of 1940-41 and the Civil Wars in the region. The complex also contains a tumulus-style mound capped with the tomb of Michael Anagnos, a.k.a. Michael Anagnostopoulos (1837-1906), who was a pioneer for education for the blind and head of the Perkins School in Boston, MA USA. He was married to Julia Romana Howe, the daughter of Samuel Howe and Julia Ward Howe.</text>
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                <text>Konstantinos D. Raptis architect|Dr. Konstantinos G. Stasinopoulos, distinguished member of the Lesche of L.O.K. sponsor</text>
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                <text>Kalpaki-Konitsa road</text>
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                <text>Twentieth Century</text>
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                <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: askref@hollins.edu.</text>
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                <text>A monument dedicated to the fallen heroes of Greece stands at the high point of the pass between Kalpaki and the Aoos River Valley. The monument is a pillar of triangular shape, i.e. with three sides, two of which bear a poetic inscription. The top of the pillar is marked by a bronze cross and each side bears military insignia. The architect and sponsorship of the monument are noted. Flags flank the podium on which the monument stands. There is a view of the Aoos River Valley from the spot.</text>
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                <text>Ω ΓΝΗΣΙΑ ΤΗΣ ΕΛΛΑΔΟΣ\ ΤΕΚΝΑ ΨΥΧΑΙ ΠΟΥ\ ΕΠΕΣΑΤΕ ΕΙΣ ΤΟΝ\ ΑΓΩΝΑ ΑΝΔΡΕΙΩΣ\ ΤΑΓΜΑ ΕΚΛΕΚΤΩΝ\ ΗΡΩΩΝ ΚΑΥΧΗΜΑ ΝΕΟΝ. \ ΑΝΔΡΕΑΣ ΚΑΛΒΟΣ ; O, genuine children of Greece, souls, you who fell in the struggle bravely, battalion of the chosen, new pride and joy of heroes. Andreas Kalvos.; ΑΣ ΜΗ ΒΡΕΞΗ ΠΟΤΕ\ ΤΟ ΣΥΝΝΕΦΟΝ ΚΑΙ\ Ο ΑΝΕΜΟΣ ΣΚΛΗΡΟΣ\ ΑΣ ΜΗ ΣΚΟΡΠΙΣΗ\ ΤΟ ΧΩΜΑ ΤΟ ΜΑΚΑΡΙΟΝ\ ΠΟΥ ΣΑΣ ΣΚΕΠΑΖΕΙ. ΑΝΔΡΕΑΣ ΚΑΛΒΟΣ ; Let not a cloud wet nor a hard wind scatter this blessed earth which covers you. Andreas Kalvos.</text>
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                  <text>WWII Monuments in Epirus, Greece</text>
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                  <text>These images and text document the many and varied World War II monuments scattered across the rugged landscape of Epirus, in northwestern Greece. They also provide evidence for the strong culture of ongoing World War II commemoration in the region. What the monuments commemorate ranges from the Hellenic Army's victory over Mussolini's forces in 1940 through the role of Greek women in the war, to the victims of Nazi atrocities, and even a Communist dominated resistance organization. The collection is part of a larger project that includes scholarship on some of the memorials, and interactive mapping of all of them which will enable users to geographically locate each one, learn its historical context, and contribute to discussion about it. &lt;a href="https://digitalexhibits.hollins.edu/neatline/show/warmonumentsgreece"&gt;View the interactive map&lt;/a&gt;</text>
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                  <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: http://presslib.hollins.edu/. </text>
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                  <text>Christopher J. Richter, Christina Salowey</text>
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                <text>Leontis Eustathios of Patras (sculptor) ; unknown (sponsor)</text>
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                <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: askref@hollins.edu.</text>
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                <text>October 3, 1943 (Date of Event) ; 2001 (Date of Construction)</text>
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                <text>This matyr monument is located in the unusual two-level plateia near the entrance to the village of Ligiades on a prominent spur of land, overlooking Ioaninna, the lake, and the plain, with Mt. Mitsikeli as a backdrop. Rising out of a  a low, marble-clad parapet that can serve as a bench is a taller section of wall that bears two inscriptions and a bronze relief. In front of the wall is an overlife-sized, free-standing bronze statue of a woman. The inscriptions provide  the name of the village,  the date of the event commemorated, 3 October 1943, and a list of names of the victims in two columns, both here in Ligiades and at Amphithea. The triangular compostion of the bronze relief focuses attention on the tall, veiled figure in the center, who cradles a clearly dead child in his arms. Situated at his feet are a tumble of slumped humans, both dead and alive, of various genders and ages. Hands claw their way out from under a pile of bodies, reaching up towards the standing male figure.  A swatch of cloth at the left edge drapes off the edge of the platform and extends to the inscription, linking the victims’ names with this chilling representation in bronze.  The free-standing bronze of the woman is to the right of the relief, and at a right angle to the plane of the wall. She stands, head erect, face devoid of emotion, bearing a garland in outstretched hands. Her head is draped, and she is clothed in an archaizing dress, bordered with a running wave motif, attire evocative of the ancient past. Her skirt and her base are two of the three places that the sculptor has placed his signature, utilizing an ancient formula that when read, makes the sculpture speak: γλυπτης Λεοντης Ευσταθιος Πατρευς  μ’εποιησε  (“the sculptor Leontis Eustathios of Patras made me”).</text>
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                  <text>These images and text document the many and varied World War II monuments scattered across the rugged landscape of Epirus, in northwestern Greece. They also provide evidence for the strong culture of ongoing World War II commemoration in the region. What the monuments commemorate ranges from the Hellenic Army's victory over Mussolini's forces in 1940 through the role of Greek women in the war, to the victims of Nazi atrocities, and even a Communist dominated resistance organization. The collection is part of a larger project that includes scholarship on some of the memorials, and interactive mapping of all of them which will enable users to geographically locate each one, learn its historical context, and contribute to discussion about it. &lt;a href="https://digitalexhibits.hollins.edu/neatline/show/warmonumentsgreece"&gt;View the interactive map&lt;/a&gt;</text>
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              <name>Rights</name>
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                  <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: http://presslib.hollins.edu/. </text>
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                <text>Ligopsá, Ioánnina, Epirus, Greece</text>
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            <name>Rights</name>
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              <elementText elementTextId="408">
                <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: askref@hollins.edu. </text>
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            <name>Title</name>
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                <text>This stele memorial set on four marble steps is enclosed in a garden space at the outskirts of the village of Ligopsa. The inscribed stele lists the names of men who died for their country from 1908 - 1955. A cannonball sits on the top of the stele.</text>
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                <text>unknown (sculptor) ; City of Delvinakios (sponsor)</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="451">
                <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: askref@hollins.edu. </text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>war memorials; monumental sculpture; ossuaries (buildings)</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>epirus_soldier_of_1940</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>October 28, 1940 (Date of Event) ; September 1966 (Date of Construction)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Soldier of 1940</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="466">
                <text>The warrior monument is erected on a hill outside the village of Kalpaki at the intersection of the major roughly N-S route from Ioaninna to Kozani (and the Albanian border just beyond) and a smaller road that is the northern route into the tortuous mountain byways that partially ring the Vikos gorge and lead to the northern Zagorian villages of Aristi, the Papingos and the eponymous Vikos. The monument is accessible both by car on a macadam road, and on a well-maintained stone walkway that processes up from the back streets of the village. A massive (roughly 5.5 meters) bronze statue of a helmeted, caped, and armed man stands on a high (~ 1.5 meters), irregularly shaped pedestal that also serves as an ossuary. The statue and base are situated in the middle of a large plaza with a decorative pavement composed of slate stones bordered by a marble edging that forms both regularly geometric panels and shard-like projections through the design. The composition accommodates distant viewing and a close-up experience with room for a large crowd. The bronze statue faces NW, looking out towards the Albanian border, and faces a hillside in the distance with the word OXI marked out in white stones. His military accoutrement includes boots, rifle with bayonet, and helmet. His bulk is accentuated by the large sweeping poncho that encloses him and obscures the outline of the human body. His attire is easily identified as the characteristic thick hide and wool shepherd’s cloak, kopanos in Greek or sheath.</text>
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                <text>ΣΗΜΑΤΡΟ ΔΟΞΑΣ ΣΚΟΥΡΙΑΣΜΕΝΟ ΑΠ' ΤΟΝ ΚΑΙΡΟ\ ΧΤΥΠΗΣΕΣ ΜΕ ΤΟ ΧΕΡΙ ΤΗΝ ΑΣΠΙΔΑ\ ΚΙ ΑΝΑΨΕΣ ΤΗΝ ΣΒΥΣΜΕΝΗ ΦΛΟΓΑ ΣΤΟ ΙΕΡΟ\ ΤΙΝΑΧΤΗΚΕ ΑΠ' ΤΟ ΚΑΛΕΣΜΑ ΣΟΥ ΤΟ ΦΤΕΡΟ\ ΤΗΣ ΝΙΚΗΣ ΓΥΜΝΗ  ΠΡΟΒΑΛΕ Η ΛΕΠΙΔΑ\ ΣΠΑΘΙΩΝ ΚΙ ΑΚΟΥΣΤΗΚΕ ΑΠΟ ΝΕΩΝ ΗΡΩΩΝ ΧΟΡΟ \ ΤΩΝ ΠΕΡΣΟΜΑΧΩΝ Ο ΥΜΝΟΣ Ω ΠΑΤΡΙΔΑ.\ Γ. ΔΡΟΣΙΝΗΣ ; the bell of fame rusty from weather you struck with your hand the shield and you lit the snuffed out flame in the sanctuary the wing of victory was shaken by your invitation naked appeared the blade of swords and a hymn of fighters was heard from a land of new heroes – O Country! G. Drosinis; ΨΑΛΜΟΥΣ ΓΙΑ ΣΑΣ ΠΟΙΟΣ ΝΟΙΩΘΕΙ ΤΕΤΟΙΑ ΔΥΝΑΜΗ\ΤΕΤΟΙΑ ΦΤΕΡΑ ΠΟΙΟΣ ΚΕΡΙΝΑ ΦΟΡΕΙ ΤΟΥ ΙΚΑΡΟΥ\ ΚΑΙ ΠΟΙΑ ΘΑ ΠΗ ΤΑ ΚΛΕΑ ΣΑΣ ΛΥΡΑ ΑΙΣΧΥΛΙΑ\ ΤΑ ΠΡΟΠΑΙΑ ΠΟΙΟΣ ΟΜΗΡΟΣ ΚΑΙ ΦΟΡΜΙΓΓΑ ΠΙΝΔΑΡΟΥ ; Psalms for you who feels such power, who carries the waxen wings of Ikaros, and what Aeschylean lyra will speak your famous deeds, What Homer and what phorminx of Pindar your trophies.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>bronze (metal); stone (rock)</text>
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                <text>casts (sculpture); stone-built</text>
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                  <text>WWII Monuments in Epirus, Greece</text>
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              <description>An account of the resource</description>
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                  <text>These images and text document the many and varied World War II monuments scattered across the rugged landscape of Epirus, in northwestern Greece. They also provide evidence for the strong culture of ongoing World War II commemoration in the region. What the monuments commemorate ranges from the Hellenic Army's victory over Mussolini's forces in 1940 through the role of Greek women in the war, to the victims of Nazi atrocities, and even a Communist dominated resistance organization. The collection is part of a larger project that includes scholarship on some of the memorials, and interactive mapping of all of them which will enable users to geographically locate each one, learn its historical context, and contribute to discussion about it. &lt;a href="https://digitalexhibits.hollins.edu/neatline/show/warmonumentsgreece"&gt;View the interactive map&lt;/a&gt;</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="520">
                  <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: http://presslib.hollins.edu/. </text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Greece</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Epirus, Greece</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="561">
                  <text>Christopher J. Richter, Christina Salowey</text>
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      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>unknown (sculptor) ; unknown (sponsor)</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Vígla, Árta, Epirus, Greece</text>
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                <text>39.964634</text>
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                <text>20.634104</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="446">
                <text>Epirus, Greece</text>
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              <elementText elementTextId="449">
                <text>Twentieth Century</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="452">
                <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact: askref@hollins.edu.</text>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>war memorials; cemeteries</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>epirus_vigla_cemetery</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>November 14, 1940 (Date of Event) ; June 2008 (Date of Construction)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Vigla Cemetery</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>This enclosed cemetery is approached by a staircase and pavement, which is the approach to 43 adjacent tombs. The pavement has a mosaic of the word ΟΧΙ, "no" arranged in the middle of it. Each tomb has a cross laid on it and is marked by a second cross that either has the name of the deceased or the word, ΑΓΝΩΣΤΟΣ, "unknown" on it. All 43 names of the deceased, 18 of which are Etoloakarnanians, or regional dwellers, are inscribed on three plaques behind the row of tombs, but presumably not every name could be matched to a set of bones. The three plaques bearing the names of the deceased front a base on which is a monument cross. At the base of this cross there is a plaque commemorating the battle and its date. There are decaying memorial wreaths at the base of the cross and votive candle, which are still lit. A Greek flag stands to the left of the cross. The entire cemetery is enclosed by a low stone-built wall and a wrought iron fence with small cross painted white at the top of each palisade. There is a large parking lot and a magnificent view of the Pindus mountains at the spot.</text>
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              <elementText elementTextId="471">
                <text>ΣΕ ΜΝΗΜΗ\ 43 ΑΞΚΩΝ ΚΑΙ ΕΘΖΩΝΩΝ\ ΠΕΣΟΝΤΩΝ ΗΡΩΙΚΩΣ ΚΑΤΑ\ ΤΙΣ ΜΑΧΕΣ ΠΕΡΙΟΧΗΣ\ ΒΙΓΛΑΣ (14-17 ΝΟΕ 1940) \ ΕΝΑΝΤΙΟΝ ΤΩΝ ΙΤΑΛΙΚΩΝ\ ΔΥΝΑΜΕΩΝ ΕΙΣΒΟΛΗΣ ΕΚ ΤΩΝ\ ΟΠΟΙΩΝ 18 ΑΙΤΩΛΟΑΚΑΡΝΑΝΕΣ\ ΕΝΤΑΦΙΑΣΤΗΚΑΝ ΕΝΤΑΥΘΑ\ ΙΟΥΝ. 2008 ; In memory of 43 officers and soliders who fell bravely in the battle of the region of Viglas (14 - 17 November 1940) against the invasion of Italian forces out of which 18 Etoloakarnanians are buried in this place. June 2008.; ΠΕΣΟΝΤΕΣ\ 2/39 ΣΥΤΑΓΜΑΤΟΣ ΕΥΖΩΝΩΝ\ (14-17 ΝΟΕΜΒΡΙΟΥ 1940)\ ΑΞΚΟΙ\ ΥΠΑΓΟΣ ΧΟΡΜΟΒΑΣ ΝΙΚΟΛΑΟΣ\ΑΝΘΑΓΟΣ ΝΙΚΑΣ ΒΕΝΙΖΕΛΟΣ\ ΕΦ. ΑΝΘΑΓΟΣ ΤΣΙΦΚΑΣ ΑΝΔΡΕΑΣ\'' ΜΠΟΥΡΤΣΑΛΑΣ ΔΗΜΗΤΡΙΟΣ\ '' ΣΤΕΡΠΑΚΗΣ ΕΥΘΥΜΙΟΣ\ ΟΠΛΙΤΕΣ\ ΕΦ. ΛΧΙΑΣ ΚΑΛΥΒΑΣ ΒΑΣΙΛΕΙΟΣ\ '' ΠΑΠΑΣΠΥΡΟΥ ΔΗΜΗΤΡΙΟΣ\ ΕΦ. ΔΝΕΑΣ ΠΑΠΑΝΤΩΝΗΣ ΧΑΡΙΛ\ '' ΑΣΗΜΑΚΗΣ ΑΛΕΞΑΝΔΡΟΣ\ ΣΤΡΤΗΣ ΓΕΩΡΓΟΠΟΥΛΟΣ ΧΑΡΙΛ\ '' ΓΩΓΑΚΗΣ ΑΠΟΣΤΟΛΟΣ\ '' ΚΟΥΚΑΣ ΔΗΜΗΤΡΙΟΣ\ '' ΛΑΚΚΗΣ ΙΩΑΝΝΗΣ\ ΣΤΡΤΗΣ ΚΑΛΟΓΕΡΑΣ ΔΗΜΗΤΡΙΟΣ\'' ΞΗΡΟΣ ΦΩΤΙΟΣ\ '' ΛΑΜΠΟΣ ΑΘΑΝΑΣΙΟΣ\ '' ΠΑΠΑΝΙΚΟΛΑΟΥ ΚΩΝ/ΝΟΣ\ '' ΜΠΛΑΝΗΣ ΒΑΣΙΛΕΙΟΣ \'' ΤΣΟΛΚΑΣ ΧΡΗΣΤΟΣ\ '' ΑΠΟΣΤΟΛΟΠΟΥΛΟΣ ΣΠΥΡ. \'' ΓΚΡΙΖΗΣ ΚΩΝ/ΝΟΣ\ '' ΤΑΛΑΓΑΝΗΣ ΑΘΑΝΑΣΙΟΣ\ '' ΧΑΣΑΝΗΣ ΔΗΜΗΤΡΙΟΣ\ ΕΞΑΦΑΝΙΣΘΕΝΤΕΣ\ ΥΔΝΕΑΣ ΠΑΠΑΙΩΑΝΝΟΥ ΝΙΚΟΛ\ ΣΤΡΤΗΣ ΚΑΡΑΓΙΑΝΝΗΣ ΝΙΚΟΛ.\ '' ΚΑΛΙΑΚΜΑΝΗΣ Η' \ ΚΑΛΑΥΜΑΝΗΣ ΙΩΑΝΝΗΣ\ '' ΧΑΣΑΠΗΣ ΙΩΑΝΝΗΣ\ ΣΤΡΤΗΣ ΜΕΡΜΙΓΓΗΣ ΗΛΙΑΣ\ '' ΒΑΣΙΛΟΠΟΥΛΟΣ ΚΩΝ/ΝΟΣ\ ''ΒΕΛΕΤΖΑΣ ΚΩΝ/ΝΟΣ\ '' ΔΗΜΟΠΟΥΛΟΣ ΠΕΤΡΟΣ\ '' ΚΟΛΩΝΙΑΣ ΓΕΩΡΓΙΟΣ\ '' ΠΑΠΑΙΩΑΝΝΟΥ  ΝΙΚΟΛΑΟΣ\ '' ΠΑΞΗΜΑΔΕΛΟΣ ΚΥΡΙΑΚΟΣ\ ''ΣΤΡΑΒΟΔΗΜΟΣ ΑΛΕΞΑΝ\ '' ΣΤΡΑΤΟΠΟΥΛΟΣ ΣΠΥΡΙΔ\ '' ΠΡΟΒΙΔΑΣ ΓΕΩΡΓΙΟΣ\'' ΠΟΛΥΖΟΣ ΧΡΗΣΤΟΣ\'' ΠΕΙΝΑΣΜΕΝΟΣ ΕΥΘΥΜΙΟΣ\ '' ΚΑΛΤΣΑΣ ΑΘΑΝΑΣΙΟΣ\ '' ΚΑΡΑΓΙΑΝΝΗΣ\ ΑΡΙΣΤΟΜΕΝΗΣ Η' ΑΡΙΣΤΕΙΔΗΣ\ '' ΖΑΚΑΣ ΣΩΤΗΡΙΟΣ\ '' ΠΑΠΑΝΙΚΟΛΑΟΥ ΕΛΕΥΘΕΡ. ; Those who fell\ of the 2/39 Regiment of Soldier\on November 14-17, 1940\ Officers\ Lieutenant Nikolaos Chormovas\ 2nd lieutenant Benizelos Nikas\ Reserve 2nd Lieutenant Andreas Tsifkas\ '' Dimitrios Bourtsalas\'' Euthymios Sterpakis\ Soldiers\ Reserve Sergeant Vasileios Kalyvas\ '' Dimitrios Papaspyros\ '' Reserve [  ] Charil Papantonis\ '' Alexandros Asimakis\ Soldier Charil Georgopoulos\ '' Apostolos Gogakis\'' Dimitrios Koukas\'' Ioannis Lakkis\ Soldier Dimitrios Kalogeras\ '' Fotis Xiros\ ''Athanasios Lampos\  '' Konstantinos Papanikolaou\  '' Vasileios Blanis\  ''Christos Tsolkas\  '' Spyros Apostolopoulos\  '' Konstantinos Grizis\  '' Athanasios Talaganis\  '' Dimitrios Chasanis\ The Missing\ [  ] Nikolaos Papaioannou\ Soldier Nikolaos Karagiannis \ Kaliakmanis E\ Ioannis Kalaumanis\  '' Ioannis Chasapis\ Soldier Elias Mermiggis\  '' Konstantinos Basilopoulos\  '' Konstantinos Veletzas\  '' Petros Dimopoulos\  '' Georgios Kolonias\  ''Nikolaos Papaioannou\  '' Kyriakos Paximadelos\  '' Alexandros Stravodimos\  '' Spyridon Stratopoulos\ Georgios Providas\  '' Christos Polyzos.</text>
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                <text>marble (rock)</text>
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                <text>stone-built</text>
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