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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Greek in the Wild: Inscriptions Explained</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="524">
                <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact the library.</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Ancient Greece</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The Archaic, Classical, and Hellenistic works of art in this collection were all displayed with an accompanying inscription in ancient Greek. The interaction between the visual image and inscribed text can illuminate the function, meaning, and impact of the artistic object. The inscriptions are epitaphs, dedications, signatures, historical records, and literary records that contextualize the artistic production of ancient Greece in a variety of ways. &lt;a href="http://digitalexhibits.hollins.edu/exhibits/show/greekinthewild/introduction"&gt;View the interactive exhibit&lt;/a&gt;.</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Pria Jackson, Amanda McVey, Amelia Verkerk, Tina Salowey</text>
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  <itemType itemTypeId="6">
    <name>Still Image</name>
    <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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        <element elementId="39">
          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>[unknown]</text>
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          <name>Coverage</name>
          <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <text>Demetrias, Magnisía, Thessaly, Greece (discovery)</text>
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            <elementText elementTextId="547">
              <text>Vólos, Magnisía, Thessaly, Greece (current)</text>
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          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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              <text>A.S. Arvanitopoulos, Θεσσαλικὰ Μνημεῖα. Ἀθανασάκειον Μουσείον ἐν Βολῷ Ι. (Athens 1909) 155-164.; A.S. Arvanitopoulos, Graptai Stelai Demetriados-Pagason (Athens 1928).</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Greece, Ancient</text>
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              <text>funerary art</text>
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              <text>Ionic</text>
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          <name>Language</name>
          <description>A language of the resource</description>
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              <text>Ancient Greek</text>
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        <element elementId="51">
          <name>Type</name>
          <description>The nature or genre of the resource</description>
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              <text>utilitarian objects</text>
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            <elementText elementTextId="581">
              <text>tombstones (sepulchral monuments)</text>
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              <text>stelae</text>
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        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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              <text>archidike_01</text>
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        <element elementId="40">
          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>250-225 BCE</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Archidike</text>
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          <name>Contributor</name>
          <description>An entity responsible for making contributions to the resource</description>
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              <text>Tina Salowey (translator)</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>The grave marker is in the form of a pedimented stele with rosettes. The pediment survives with carved and painted details including acroteria carved in the form of palmettes and a painted pomegranate centered in the triangular space. Under the geison is inscribed a poetic epitaph in six line or three elegaic couplets. The deceased is identified as Aristodike, the daugher of Aristomachos whose family is well know and important in Pagasai. Other stelae indicate Aristodike has a brother Hygiamenes and a niece named Anthis. It is possible she is from a Cretan mercenary family. Under the inscription are two rosettes, marked out in paint. In the painted scene a woman is seated on a chair facing to the right and behind her a smaller figure, perhaps a child, stands with a worried pose. Archidike wears a chiton and himation and appears to be daydreaming; attendant looks grief stricken. There are some problems with body proportions and musculature, but the shading is masterful. The woman wears her himation over her head, as if married, but no husband is mentioned in the epitaph. Inscription is immediately under the geison.</text>
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              <text>εἰ κέκρικας χρηστὴν, Ῥαδάμανθυ, γυναῖκα καὶ ἄλλην/ ἢ Μίνως, καὶ τήνδε οὖσαν Ἀριστομάχου/ κούρην. εἰς Μακάρων Νήσους ἄγετ᾿! Εὐσεβίαν γὰρ/ ἤσκει καὶ σύνεδρον τῆσδε δικαιοσύνην. / Ἣν Τυλισὸς μὲν ἔθρεψε, πόλις Κρῆσσα ἥδε δὲ γαῖα/ ἀμφέπει ἀθάνατον - μοῖρα σοί, Ἀρχιδίκη!; If you have judged another woman as worthy, O Rhadamanthys, O Minos, then judge this woman, the daughter of Aristomachos, the same way, and lead her towards the Islands of the Blest! For she has made religious piety her practice and righteousness her own co-counselor. Tylissos, a Cretan city, nurtured her, but this land will surround her for eternity. Fate be with you, Archidike!</text>
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          <name>Format</name>
          <description>The file format, physical medium, or dimensions of the resource</description>
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              <text>marble (rock)</text>
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              <text>painting (image-making)</text>
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              <text>inscriptions</text>
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          <name>Relation</name>
          <description>A related resource</description>
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              <text>Part of &lt;a href="http://digitalexhibits.hollins.edu/exhibits/show/greekinthewild/introduction"&gt;Greek in the Wild: Inscriptions Explained&lt;/a&gt;</text>
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        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
          <elementTextContainer>
            <elementText elementTextId="584">
              <text>Images provided for non-commercial research and reference use only. No permission is required from the rights-holder(s) for educational uses. For other uses, you need to obtain permission from the rights-holder(s). Should you have use questions or any legal concerns about this image or collection, please contact the &lt;a href="http://presslib.hollins.edu/"&gt;Wyndham Robertson Library&lt;/a&gt;.</text>
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      <name>grave monument</name>
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      <name>greek in the wild</name>
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      <name>Hellenistic</name>
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